Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Follower of Jacopo da Ponte
Enthauptung Johannes des Taufers

ID: 91225

Follower of Jacopo da Ponte Enthauptung Johannes des Taufers
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Follower of Jacopo da Ponte Enthauptung Johannes des Taufers


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Follower of Jacopo da Ponte

painted Christ in the house of Martha and Mary in 16th/17th century   Related Paintings of Follower of Jacopo da Ponte :. | Thamar wird zum Scheiterhaufen gefuhrt | The Road to Calvary | The Road to Calvary | Portrait of a Cardinal | Two Hounds |
Related Artists:
jan maurits quinckhard
1688-1772
George Thomas
1816-1870 Union general in the American Civil War, b. Southampton co., Va. He served in the Seminole War and in the Mexican War. Later he taught at West Point and served in Texas. As a brigadier general of volunteers, he was sent to Kentucky, where he defeated the Confederates at Mill Springs (Jan., 1862). Thomas served under General Buell at Shiloh, Corinth, and Perryville. In the Chattanooga campaign, his stand on Sept. 20, 1863, which saved the Union army from complete rout, won for him the sobriquet Rock of Chickamauga. Appointed brigadier general in the regular army, he succeeded General Rosecrans in command of the Army of the Cumberland (Oct., 1863) and served under Ulysses S. Grant around Chattanooga and under General Sherman in the Atlanta campaign. With the fall of Atlanta (Sept., 1864), Grant ordered Thomas to pursue the army of General Hood into Tennessee. Although accused by Grant of moving too slowly, and threatened with the loss of his command, Thomas waited and finally defeated Hood at Nashville (Dec., 1864).
KAUFFMANN, Angelica
Swiss Neoclassical Painter, 1741-1807 Swiss-born Italian painter. She began studying art in Italy as a child, showing great precocity, and in 1766 her friend Joshua Reynolds took her to London. There she became known for her decorative work with architects such as Robert Adam. Her pastoral compositions incorporate delicate and graceful depictions of gods and goddesses; though her paintings are Rococo in tone and approach, her figures are Neoclassical (see Classicism and Neoclassicism). Her portraits of female sitters are among her finest works.






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